A Plane, a High Horse, a Waiting Door

My husband I flew out of state on business last week. On the plane, I got seated in the middle, my husband next to the aisle. It was a sold-out flight, so a woman eventually turned up and pointed to the window seat, indicating it was hers. My husband and I got up and let her in.

I avoid the window seat because I don’t like being boxed in. “Just so you know,” I told her, turning to her with a smile, “I love standing up, so please don’t hesitate to let us know if you need to get up. We are happy to.”

“I won’t be getting up,” she said. No smile, no turning to me. She stared straight ahead. “I never get up.”

Okay, then, I thought. Her body language was clear: I don’t want to talk to you. Leave me alone.

I like introducing myself to my seatmate and finding out why they are going where they are going. I do like chatting—but only for a few minutes, and then I want my quiet time. But she couldn’t know that. I am sure my chirpiness irritated her. I took the cue and didn’t say another thing. You don’t want to interact? I thought. No problem. I thought about how people can be so grumpy and unfriendly, and I got on my small but high horse.

As the flight began and the plane soared into the air, I took out my sketch pad and Sharpie pen and started doodling. The minutes ticked by, and I was deep in my drawing, creating a strange tree with leaves and flowers.

“That’s pretty,” my seatmate said, nodding toward my doodle. Her eyes met mine.

I had to pull the reins on my high horse. The horse whinnied but stopped.

My seatmate and I began talking. We began a conversation about her trip to see her grandchild, how much she missed him and how much he missed her. We talked about my doodling and why I do it—as a way to relieve stress—and I told her about how I always believed I was incapable of drawing, until I opened a door and allowed for the possibility that I could walk through. And then I did. I told her how it didn’t matter whether I was good at drawing; it was only important that I try. She told me about how once she retired she decided to try and learn something new every single year. One year it was gardening; another, knitting. It inspired me—she inspired me. Here was someone who wanted to push themselves out of their comfort zone every January and for the next eleven months.

We didn't talk that long, maybe five or ten minutes. Then she went back to her quiet time, and I did too. We both wanted that. But there was a gentleness between us now. A softness.

I’ve thought about that interaction more than once since I deplaned. I’ve thought about how sometimes I make assumptions about people, about how sometimes people make assumptions about me, about how often we are all wrong. I wonder how often I misread people and never find out I did.

I’ve thought about how judgey I was, how judgey I can be, but I’ve also realized that I don’t have to stay believing that about myself. I can be different. Each of us has the capacity to open a door, and then to have the courage to walk right through.


Photo credit: Sasha Freemind from Unsplash.com

Stand Off

Every once in a lucky while, I read a piece of writing that changes me, and by change I don’t mean that I become a completely new person. What I mean is I understand life in a different way: maybe I gain a new insight, or I step into someone’s perspective, or maybe I learn something about humanity that makes me feel more connected to the whole of this world, not just my little part of it.

“Stand Off” by Nancy Miller Gomez is a piece of writing that changed me. I’ve studied and taught this poem—and while I won’t get into the architecture here or why the artistic choices she made work so well—I can tell you right now that I felt those choices as I read the piece, and if a writer can make a person feel deeply, they have accomplished a big thing.

Here is Nancy’s poem:

This poem is from Nancy’s chapbook, Punishment, published by Rattle and featured on Rattle. You can learn more about Nancy Miller Gomez here. She has a new collection, Inconsolable Objects, forthcoming from YesYes Books.

Thank you so much, Nancy, for having written this astounding poem and for allowing me to share it.

It’s the end of National Poetry Month. Thank you to all my blog subscribers and readers who went along with me on this poetry journey during April. And thank you to all the poets who allowed me to share their work. (You can find links to all of the poems on the sidebar of my blog.)

And now we’ll return now to our regularly scheduled program.

(But don’t forget to read a poem now and again. Feel free to check out my latest poetry collection, Something So Good It Can Never Be Enough.)

Photo credit: Jonathan Cooper from Unsplash.com

Farmhouse by the Highway

When I got married (the first time), I remember teaching myself to notice the things I loved about my husband and to focus on those over the things that gave me pause or had the capacity to annoy me. The truth is there was very little if anything that annoyed me about him—I don’t know now whether that was just because of him or because of the lens through which I chose to view him. We had many happy moments, I think, back in those early days before our marriage fell apart. After we split up, because of my own hurt place, I shoved away every single happy memory that surfaced because remembering good times and good things about him only made everything hurt more. I only wanted to remember the “bad” stuff—that was my way of propelling myself toward healing.

Later, after many years, I was ready to remember the good things again, but I had done such a good job of shoving it all away that I couldn’t remember any details of the happiness, only that it existed.

Now that I am married again, I still choose to view my husband through a lens of love, but I think I also view him realistically, just as I think he views me (though, let’s face it, I’m pretty perfect!). But it takes work to also understand that most personality traits have a positive and negative side, and each person is immensely complex.

This next poem is, for me, about what we choose to remember, and about how we view each other and the world around us. This prose poem is also a story, which I love.

This piece was reprinted here with permission of the poet. It was originally published in The Sun (November 2022). You can learn more about Matt Barrett and his writing here.

Thank you so much, Matt, for allowing me to share this wistful and moving poem.

It’s National Poetry Month, y’all. Every week on my blog during the month of April, I share poems I love from contemporary writers. I hope to pique your interest in poetry, if it needs to be piqued, and to show you that a really great poem can be accessible to all. 

“See” you soon with another fabulous poem—our last for the month!

Photo credit: Annie Spratt from Unsplash.com